Dancers, like white gardenias, carry a pure, burning dream across a century, dancing toward youth and hope.
Through gentle, flowing movement, I explore the quiet loneliness of moving through an uncertain world—continuing to row forward through shifting tides, searching for direction and a place to belong.
A dance from The Eternal Wave, evoking the quiet morning life of old Shanghai. I portray its gentle rhythms and understated beauty through movement, capturing a fleeting moment of everyday life.
A vibrant fusion of Uyghur, Mongolian, Tibetan, Dai, Northeastern Yangge, and Northeastern handkerchief dance, celebrating the diverse rhythms, gestures, and traditions of Chinese folk culture. It is a traditional piece in our Student Art Troupe’s repertoire, passed down through generations of performers. As I grew older and taller, I danced through every section of the piece; in this performance, I take on the Mongolian and Northeastern handkerchief dance sections.
Through learning Jiaozhou Yangge, I connected with Chinese folk traditions, discovering culture through movement, rhythm, and embodied expression.
Through flowers and butterflies, the dance portrays an age of flourishing nature, shared joy, and renewal. As one of the flowers, I dance within this blooming landscape, embodying its vitality and grace.
Inspired by Tang-era figurines, I embodied a ceramic maiden awakening to life, exploring the elegance, vitality, and cultural memory of the Tang dynasty through movement.
A conversation with the soul—a quiet struggle between staying true to oneself and finding a place in the modern world. Through movement, I explore the tension between individuality, belonging, and the pressures of becoming part of society.
The initiative improved in-stock rates, decreased waste, and empowered category managers with intuitive visualizations for rapid scenario planning.